Andrea Johnson Photography - Behind the scenes adventures of a professional photojournalist and video/multimedia producer specializing in the wine, food, spirits, and travel industries.

July 9, 2017

Tips to optimize Video b-roll libraries

One of the key lessons I’ve learned in video is that you can never have too much video b-roll to use for projects. Over the past fifteen years I’ve created over 100 photo libraries for wineries, agricultural companies & tourism associations where my background as a photojournalist has helped me craft impactful stories through imagery. More planning is needed to create video b-roll libraries, but the same principles apply – timeless, sense of place, storytelling video clips with compelling visuals to captivate the viewers attention.

When carefully planned, video and photography can be captured on the same shoot; this is especially relevant for events like harvest, spectacular sunsets or sunrises, and lifestyle shoots involving many models and styling where it would be cost prohibitive or impossible to reproduce the same scene on different days. Several cameras can be set up to capture the action from multiple angles, including time-lapse, drone aerials, adding camera motion with a slider or jib, etc, and ideally two shooters work in close tandem with similar aesthetics for each scene.

Here’s a few examples of short video clips that have been used in social media and archive b-roll for larger video stories. Creating effective video b-roll clips is a similar strategy as creating effective photo libraries, which I’ve detailed on a previous blog post linked here –

http://blog.andreajohnsonphotography.com/the-art-of-creating-effective-wine-image-libraries/

Highlights from Travel Oregon story & Willamette Valley Wine Region of the Year videos

Herding Longhorn cattle at Willakenzie Estate Vineyard, Willamette Valley, Oregon

Saffron Fields Vineyard Fireworks

Rosé swirl

To view the full videos, please visit my video productions company website: http://lumariaproductions.com/portfolio/

March 12, 2017

Aerial photography Tips for drone, helicopter & airplane shoots

I’ve always loved heights. I’ve progressed from a kid climbing trees and the roof of my house, to my first trip as a teenager parasailing, to skydiving, paragliding, to hundreds of photography shoots from helicopters and small craft airplanes. There’s nothing to compare with the thrill of experiencing a birds eye perspective.

Recently I’ve added a drone to my kit, though I must admit I was hesitant at first. I’d worked with a phenomenal team of aerial cinematographers, Dane Henry and Sean Haverstock for our Washington State Wine videos: http://lumariaproductions.com/work/wa-wine-consumer/. And I’d seen firsthand the expertise to operate high end octocopter drones with movi image stabilizer kits capable of carrying DSLR cameras and a two person drone/ camera operator team. As much as I’d love for my clients to have the budgets of projects like this Red Bull rock climbing project in Lebanaon, that is not the reality for most boutique wine clients. https://www.danehenrydigital.com/blog/2017/1/25/t7swubm1394hwfgylgb0s60ticmgpo

Then in 2016 with the release of the latest DJI phantom 4 drone, I was convinced on the DJI’s quality and ease of use for video. While I’d primarily purchased the drone for video aerial work, I was pleasantly surprised by it’s capability for still photography.

I’m often asked by clients how to best capture aerials of their properties, and to compare the pros and cons of drones vs helicoters vs airplanes. So here’s examples of my work, and my thoughts on each type of aerial photography.

Drone Photography examples:

Drone shot over pinot noir grapes being harvested at Cristom vineyards

Drones excel in close proximity, and shorter duration aerial photography. I’ve done helicopter photoshoots over many vineyards and sadly seen the workers literally run or hide from the helicopter in fear of INS immigration raids. Not to mention the noise and dust even from a small helicopter at 20 feet above the ground is quite distracting for the subjects. Though I have successfully captured several large group photos at groundbreaking wine events, I can’t imagine flying over a winemaker dinner at close proximity without major disruption!

Drone shot over Brooks Vineyard

In addition, when I need to capture both aerial and ground perspectives for time sensitive activities such as harvest, I’m able to cover both in quick proximity and with less budget than landing a helicopter and paying for standby time. My drone was also helpful on a recent snow day in Oregon, where I wasn’t sure if the vineyard was completely covered in white and I also needed to quickly capture ground views before the snow melted.

Drone shot over Montinore wine harvest

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February 8, 2017

Wine Spectator Oregon Story 2017

I always love photographing the Oregon story for Wine Spectator – hard to believe it’s been over a decade I’ve been photographing these features, and how much the Oregon wine industry has succeeded and grown!

Here’s tearsheets from the hot off the press March 31, 2017 issue:

Stoller Family Estate, Wine Spectator, Oregon Wine, Pinot Noir, Chardonnay, Willamette Valley

Stoller Family Estate – Opening Spread of Wine Spectator Magazine’s Oregon Wine Feature story, March 31, 2017

Bergstrom Winery & Eminent Domaine ,wine, Wine Spectator, Oregon Wine, Pinot Noir, Chardonnay, Willamette Valley

Bergstrom Winery & Eminent Domaine – Page 3-4

Willakenzie Estate & Lingua Franca -page 5-6

BJÖRNSON & Walter Scott Wines , wine, Wine Spectator, Oregon Wine, Pinot Noir, Chardonnay, Willamette Valley

BJÖRNSON & Walter Scott Wines – Page 7-8

December 15, 2016

Wine Spectator Washington Wine feature story 2016

Congratulations to the wineries featured in the latest issue – love photographing these stories, hard to believe it’s now been a decade photographing the great Pacific Northwest wineries for Wine Spectator magazine.

Opening spread, Rick & Darcey Small of Woodward Canyon Winery

Chris Figgins of Figgins Family Wines & Leonetti Cellars

Quilceda Creek, Columbia Crest, and Trey Busch / Jerry Solomon of Sleight of Hand Cellars

Marty Clubb, L’Ecole No. 41 winery

November 21, 2016

Varanasi, India – a photographer’s personal reflections

Every dawn and dusk thousands of pilgrims travel to the Ganges and perform the Ganga Aarti ceremony; making a wish, lighting a candle, and setting it afloat on the river. One of my wishes – to align my life and photography in a more balanced way. How? A surprising example may be this story of the photo I didn’t take.

Hindu girl selling small candles inside a cup of leaves and flowers.

The Sadhu was striking in appearance – white long hair, golden robe, radient weathered face and sinuous body. Something about the way he walked, held his head, and his calm eyes was different than the other Sadhus I’d encountered, too many eager to ask for a donation to pose for a photo. And it was obvious that I was in search of photographs, walking the ghats with two cameras around my shoulders, my eyes scanning the scene for images. As our paths converged in a relatively quiet area, where perfect morning light softly lit the colorful, graphic stairs of the ghat, we glanced at each other as we passed. I think we both took each other by surprise – that I didn’t raise my camera to take his photo, and that he didn’t stretch his hand out for a donation. I turned around to glance at the Sadhu one more time, and he turned simultaneously. He paused, the slightest gesture of his head communicated that he was inquisitive, possibly even open to being photographed and certainly curious that I hadn’t asked or tried to candidly captured the moment.

But I was tired of the superficial transaction I knew taking a quick photo would be, briefly regretting that I couldn’t linger here for days. For awhile I’ve been focusing more on capturing the perfect photo than the experience. Now I was searching for something more. In this circumstance, by not taking a photo I was able to connect – if only for a moment – authentically with him as a person. In the holiest of all places for Hindus, I had to believe there were still some things sacred. I smiled at him, did a slight bow and brought my hands to prayer as a sign of Namaste in greeting , and he graced me with his smile. He was indeed a “real” Sadhu, and this may be the most memorable experiences I had in India.

The bustle in one of the world’s oldest cities, Varanassi, is never ending and can be simultaneously wonderful and overwhelming to the senses. This photo of the cow serenely standing in the middle of the road with traffic buzzing by on both sides exemplifies the spirit of India to me, the ability to maintain calm in chaos, and the importance of finding your own center balance to adapt to the environment yet stay steady.
In 1897 Mark Twain said “Benares (aka Varanasi) is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together.”

Cow roaming ancient back streets of Varanasi, India

The Untouchables. Politically active Untouchables prefer the term Dalit, which means “oppressed.” They are the Hindu caste in charge of cremating bodies. We walked through their neighborhood on the way to the cremation ghats on the Ganges, I wasn’t sure what to expect but certainly not outward signs of normalcy. Or warmth in their smiles as they greeted us, children playing, goats wandering, same scenes we’d encountered in so many rural villages. But where are the men you may ask? The scene blocks away from this neighborhood was entirely different. And the caste issue runs far deeper than I can do justice in a caption

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